I lie, marked and scarred forever
through the fatigue of life
my hands of golden-orange, an aged crimson
these bloodied hands, touched your forehead
in my despair
leaving the utile sign present, right above your eyes
a rising incarnadine pearl, rising and running over
overflowing with reconjured blood
burning inside my being, and I am whole again
through a familiar mantranized hymn
the union is made true once more
revisiting all of you that I see:
eyes, dead and dry as mine
yet they possess windows to the only thing that ever lived
and overlapping those deep blue nooks
where you lie in wait
is a waterfall of stained white
flowing beauty to the waiting rocks, singing a rythmic static
not heard, rather seen in your glowing hair
running down your back and caressing your shoulders
your skin: softer even than your enchanting voice
beyond fair, a world lives beyond the flesh
blue and red branches stretch to unite a multiverse
pulsating systematic'lly
my gossessent avatum
i'll always burn for more sweet wordsi'll see you around, my love
we are not of our own, but of each other........













Comments
GOnna submit my stuff
Got tons of picuters.
lol
around 7 or 8 That I made completely.
You need a space in the second from last line.
I enjoyed this poem immensely, and it's nice to see a strong bit of free verse when I've heard that dA tends to lean more towards stupid rhyming love poems. You have some very good vocabulary there, though I have to ask; what's a gossessment avatum?
One thing you may want to consider is your usage of punctuation. You do some odd things with colons (sounds bad?) that perhaps could be more gracefully handled with spacing or, perhaps, projective verse. Look up the works of Charles Olsen, I believe reading him could do nothing negative for your already promising style.
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